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The Light in the Ruins

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The Light in the Ruins

From the New York Times bestselling author of Midwives and The Sandcastle Girls comes a spellbinding novel of love, despair, and revenge--set in war-ravaged Tuscany. 1943: Tucked away in the idyllic...
From the New York Times bestselling author of Midwives and The Sandcastle Girls comes a spellbinding novel of love, despair, and revenge--set in war-ravaged Tuscany. 1943: Tucked away in the idyllic...
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Description-
  • From the New York Times bestselling author of Midwives and The Sandcastle Girls comes a spellbinding novel of love, despair, and revenge--set in war-ravaged Tuscany.

    1943: Tucked away in the idyllic hills south of Florence, the Rosatis, an Italian family of noble lineage, believe that the walls of their ancient villa will keep them safe from the war raging across Europe. Eighteen-year-old Cristina spends her days swimming in the pool, playing with her young niece and nephew, and wandering aimlessly amid the estate's gardens and olive groves. But when two soldiers, a German and an Italian, arrive at the villa asking to see an ancient Etruscan burial site, the Rosatis' bucolic tranquility is shattered. A young German lieutenant begins to court Cristina, the Nazis descend upon the estate demanding hospitality, and what was once their sanctuary becomes their prison.

    1955: Serafina Bettini, an investigator with the Florence police department, has her own demons. A beautiful woman, Serafina carefully hides her scars along with her haunting memories of the war. But when she is assigned to a gruesome new case--a serial killer targeting the Rosatis, murdering the remnants of the family one-by-one in cold blood--Serafina finds herself digging into a past that involves both the victims and her own tragic history.

    Set against an exquisitely rendered Italian countryside, The Light in the Ruins unveils a breathtaking story of moral paradox, human frailty, and the mysterious ways of the heart.

 
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  • Chapter One

    At the moment she is wearing her nightgown (which is not especially revealing), though at some point very soon it will be cut off her. Yes, cut. Not even pulled over her head. Sliced from the opening at her collarbone down to the hem, which, when she stands, is mid-shin. By then, of course, she will be dead. Bleeding out. I will have sliced open her neck from one side of her jaw to the other.
    Just so you know, that art nouveau vanity is not particularly valuable. The white paint is chipped, and two of the whiplike finials along the right side broke off years ago. Before the war. Moreover, her nightgown is cotton, and the material has started to pill. I mention this so you are not envisioning this room as more glamorous than it is. The woman is still beautiful, even now in middle age and despite the horrific, seemingly unbearable losses she endured a decade ago, in the last year of the war. These days she lives in a neighborhood of Florence that is solidly working- class, a section the tourists visit only when they are impressively, almost hopelessly lost. A decade ago, she would not have known a neighborhood like this even existed.
    The apartment has neither a doorman nor a primitive intercom connecting the wrought iron and frosted glass street door with her modest unit. It is locked, but not all that difficult to open. (Really, it wasn't.) According to the police report, at some point in that roughly three-hour window in the early hours of that first Tuesday in June, I used a blunt object (the handle of my knife, as a matter of fact) to break a pane of the glass near the doorknob. Then I reached in, turned the lock, and opened the door. Remember, this is an unassuming little building. Then I moved silently up the stairway to the third fl oor, where she lived, and knocked on her door. She rose from the vanity, her brush still in her hand, and paused for a moment on her side of the wood.
    "Yes?" she asked. "Who is it?"
    And here I lied. I said I was her dinner companion, speaking into my gloved hand to muffle my voice.
    So she opened the door and would be dead within moments.
    And why did I slice open her nightgown? I didn't violate her. It was so I could cut out her heart. A woman with the lilting name of Francesca Rosati, who had once been a Tuscan marchese's daughter- in- law, was my first.
    But, as you will see, not my last.

    1943
    The planes flew in great flocks that May over the Crete Senesi, the lunarlike landscape that marked the Tuscan countryside southeast of Siena. By night the planes were British or American bombers and their destination was Bologna. By day they were German, long streams of Junkers, and their destination was either Sicily or Naples. After that they would attempt to reach Tunisia and reinforce the Axis troops there, but most--and Cristina Rosati knew this from the BBC, not from her own country's newspapers--would be shot down and crash into the Mediterranean Sea. The Italians and Germans in North Africa were finished, and there was absolutely no chance of evacuating them; the army might as well have been on the moon. Sometimes Cristina wished that her brothers were in Tunisia so they might be captured by the Allies and sent to England, where they could await the end of the war in the safety of a prisoner-of-war camp. Instead, Marco was in Sicily, preparing the beaches there for the anticipated Allied invasion. He was an engineer. Vittore, an archeologist, was safe in Florence, but there was bombastic talk on the radio and in the newspapers about the need for total war, and no one in her family would have been surprised if he were suddenly given a rifl e and sent off to Sardinia or Greece or some battery along the...

About the Author-
  • Chris Bohjalian is the critically acclaimed author of sixteen books, including the New York Times bestsellers The Sandcastle Girls, Skeletons at the Feast, The Double Bind, and Midwives. His novel Midwives was a number one New York Times bestseller and a selection of Oprah's Book Club. His work has been translated into more than twenty-five languages, and three of his novels have become movies (Secrets of Eden, Midwives, and Past the Bleachers). He lives in Vermont with his wife and daughter. Visit him at www.chrisbohjalian.com or on Facebook.

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    Knopf Doubleday Publishing Group
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